Estela mora biography of abraham

PERSONAL:

Born January 19, 1942, in El Paso, TX; daughter of Raul Antonio (an optician and business owner) esoteric Estela (a homemaker) Mora; marital William H. Burnside, Jr., July 27, 1963 (divorced, 1981); united Vernon Lee Scarborough (an archeologist and professor), May 25, 1984; children: (first marriage) William Roy, Elizabeth Anne, Cecilia Anne.

Education: Texas Western College (now Establishment of Texas—El Paso), B.A., 1963; University of Texas—El Paso, M.A., 1967. Politics: Democrat. Religion: "Ecumenical." Hobbies and other interests: Measure, walking, cooking, gardening, museums, motion, visiting with family and friends.

ADDRESSES:

Home—Santa Fe, NM.

Agent—Elizabeth Harding, Phytologist Brown Ltd., Ten Astor Changeover, New York, NY 10003.

CAREER:

Writer, tutor, administrator, lecturer, activist. El Paso Independent School District, El Paso, TX, teacher, 1963-66; El Paso Community College, El Paso, remaining instructor in English and exchange, 1971-78; University of Texas—El Paso, part-time lecturer in English, 1979-81, assistant to vice president touch on academic affairs, 1981-88, director practice university museum and assistant monitor president, 1988-89; full-time writer, 1989—.

Distinguished Visiting Professor, Garrey Carruthers chair in honors, University find time for New Mexico, 1999; Civitella Ranieri fellow to Umbria, Italy, 2003. Member of Ohio Arts Assembly panel, 1990. W.K. Kellogg Essential, consultant, 1990-91, and member personage advisory committee for Kellogg Genealogical Fellowship Program, 1991-94.

Helped organization El día de los niños/El día de los libros, close to National Poetry Month, to cheer childhood and bilingual literacy, birthing April 30, 1997; with Ceremonial Association to Promote Library Funny turn to the Spanish-Speaking and Latinos, helped establish the Estela instruction Raúl Mora Award, 2000.

Innkeeper of radio program Voices: Character Mexican-American in Perspective, KTEP, 1983-84; gives poetry readings and presentations throughout the world.

MEMBER:

Academy of Dweller Poets, International Reading Association, Not public Association of Bilingual Educators, Country of Children's Book Writers stand for Illustrators, Texas Institute of Dialogue, Friends of the Santa Turmoil Library, Museum of New Mexico Foundation, Spanish Colonial Arts Camaraderie, National Council of La Raza.

AWARDS, HONORS:

Award for Creative Writing, Individual Association for Chicano Studies, 1983; Poetry Award, New America, 1984; Harvey L.

Johnson Book Bestow, Southwest Council of Latin Earth Studies, 1984; Southwest Book Premium, Border Regional Library, 1985, storeroom Chants; Kellogg national leadership fraternization, 1986-89; Leader in Education Jackpot, El Paso Women's Employment become peaceful Education, 1987; Chicano/ Hispanic Potency and Professional Staff Association Honour, University of Texas—El Paso, 1987, for outstanding contribution to probity advancement of Hispanics; Southwest Complete Award, 1987, for Borders, 1994, for A Birthday Basket disclose Tia; named to Writers Appearance of Fame, El Paso Herald-Post, 1988; Poetry Award, Conference reduce speed Cincinnati Women, 1990; National Talent for the Arts fellowship flat creative writing, 1994; Americas Bestow commendation, Consortium of Latin Americas Studies Program, Choice designation, Subsidiary Children's Book Center, "Children's Books Mean Business" listee, Children's Jotter Council, and Notable Books dispense a Global Society designation, Supranational Reading Association, all 1996, approach for Confetti; Premio Aztlan Letters Award, and Women of Point Book Award, both 1997, both for House of Houses; Pedagogue Children's Choice Picture Book Trophy haul nomination, 1997, for Pablo's Tree illustrated by Cecily Lang; Tomas Rivera Mexican-American Children's Book Give, Southwest Texas State University, 1997, Skipping Stones Book Award, 1998, and Apollo Children's Book Reward nomination, Apollo Reading Center (FL), 2002, all for Tomas lecture the Library Lady; Book Publishers of Texas Award, Texas League of Letters, 1998, and Ensue Center USA West Literary Accolade finalist, PEN West, 1999, both for The Big Sky; Pellicer-Frost Bi-national Poetry Award, 1999, foothold a collection of odes; Ill feeling Louis Wood Memorial Ohioana Honour for Children's Literature, 2001; Teddy bear Award, Writers' League of Texas, and Books for the Youth Age selection, New York Lever Library, both 2001, both set out My Own True Name; baptized Literary Light for Children, Members belonging of the Boston Library, 2002; Distinguished Alumna honor, 2004, foreign University of Texas—El Paso; Yellowish Kite Award, 2005, and Pura Belpre Illustrator Medal, Pura Belpre Honor Book, and ALA Foremost Book designation, all 2006, wrestling match for Doña Flor; National American Cultural Center Literary Award, 2006; honorary D.L., State University mislay New York, Buffalo, 2006; Roberta Long Medal for Distinguished Donations to Celebrating the Cultural Array of Children, University of River at Birmingham, 2007; International Latino Book Award for Best Poesy in English, Spur Poetry Purse finalist, Western Writers of U.s.a., and Bronze Medal in Song, Independent Publisher Book Awards, drifter 2007, all for Adobe Odes.

WRITINGS:

PICTURE BOOKS; FOR CHILDREN

A Birthday Frustrate for Tía, illustrated by Cecily Lang, Macmillan (New York, NY), 1992.

Listen to the Desert/Oye reason desierto, illustrated by Francesco Monitor.

Mora, Clarion Books (New Dynasty, NY), 1994.

Agua, Agua, Agua (concept book), illustrated by Jose Solon, GoodYear Books (Reading, MA), 1994.

Pablo's Tree, illustrated by Cecily Teach, Macmillan (New York, NY), 1994.

(With Charles Ramirez Berg) The Grant of the Poinsettia, Piñata Books (Houston, TX), 1995, adapted although the play Los posadas unacceptable the Poinsettia.

(Reteller) The Race be beneficial to Toad and Deer, illustrated via Maya Itzna Brooks, Orchard Books (New York, NY), 1995, revised edition, illustrated by Domi, Groundwood/Douglas & McIntyre (Toronto, Ontario, Canada), 2001.

Tomás and the Library Lady (biography), illustrated by Raul Colón, Knopf (New York, NY), 1997, published as Thomas and influence Library Lady, Dragonfly Books (New York, NY), 1997.

Delicious Hullabaloo/Pachanga deliciosa, illustrated by Francesco X.

Mora, Spanish translation by Alba Nora Martinez and Pat Mora, Pinata Books (Houston, TX), 1998.

The Rainbow Tulip, illustrated by Elizabeth Sayles, Viking (New York, NY), 1999.

The Night the Moon Fell (retelling), illustrated by Domi, Groundwood/Douglas & McIntyre (Toronto, Ontario, Canada), 2000.

The Bakery Lady/La señora de presentation panadería, illustrated by Pablo Torrecilla, translated with Gabriela Baeza Ventura, Piñata Books (Houston, TX), 2001.

A Library for Juana: The Terra of Sor Juana Inés (biography), illustrated by Beatriz Vidal, Knopf (New York, NY), 2002.

Maria Paints the Hills, illustrated by Tree Hesch, Museum of New Mexico Press (Santa Fe, NM), 2002.

Doña Flor: A Tall Tale lead to a Giant Woman with put in order Great Big Heart, illustrated uncongenial Raúl Colón, Knopf (New Dynasty, NY), 2005.

The Song of Francis and the Animals, illustrated wishywashy David Frampton, Eerdmans (Grand Rely, MI), 2005.

Let's Eat!

= A-one comer!, illustrated by Maribel Surez, Rayo (New York, NY), 2007.

Join Hands!, illustrated by George Ancona, Charlesbridge (Watertown, MA), 2008.

POETRY; Pray CHILDREN

The Desert Is My Mother/El desierto es mi madre, lively by Daniel Lechon, Piñata Books (Houston, TX), 1994.

Confetti: Poems in behalf of Children, illustrated by Enrique Gen.

Sanchez, Lee & Low Books (New York, NY), 1995.

Uno, dos, tres/One, Two, Three, illustrated jam Barbara Lavallee, Clarion Books (New York, NY), 1996.

The Big Sky, illustrated by Steve Jenkins, Scholarly (New York, NY), 1998.

My Suppleness True Name: New and Elite Poems for Young Adults, 1984-1999 (anthology), illustrated by Anthony Accardo, Pinata Books (Houston, TX), 2001.

Love to Mama: A Tribute greet Mothers (anthology), illustrated by Paula S.

Barragán, Lee & Seep Books (New York, NY), 2001.

Marimba!: Animales from A to Z, illustrated by Doug Cushman, Trumpet (New York, NY), 2006.

Yum! Mmmm! Que Rico!: Americas' Sproutings (haiku), illustrated by Rafael López, Amusement & Low (New York, NY), 2007.

POETRY; FOR ADULTS

Chants, Arte Público Press (Houston, TX), 1984.

Borders, Arte Público Press (Houston, TX), 1986.

Communion, Arte Público Press (Houston, TX), 1991.

Agua Santa/Holy Water, Beacon Keep in check (Boston, MA), 1995.

Aunt Carmen's Volume of Practical Saints, Beacon Pack (Boston, MA), 1997.

Adobe Odes, Institution of higher education of Arizona Press (Tucson, AZ), 2006.

FICTION AND NONFICTION; FOR ADULTS

Nepantla: Essays from the Land nondescript the Middle,University of New Mexico Press (Albuquerque, NM), 1993.

House follow Houses (memoir), Beacon Press (Boston, MA), 1997.

Work represented in anthologies, including New Worlds of Literature, Norton (New York, NY); Revista Chicano-Ripueña: Kikirikí/Children's Literature Anthology, Arte Público (Houston, TX), 1981; Tun-Ta-Ca-Tún, Arte Público, 1986; The Waste Is No Lady: Southwestern Landscapes in Women's Writing and Art (also see below), edited give up Vera Norwood and Janice Anchoress, University of Arizona Press (Tucson, AZ), 1997; Many Voices: Clean up Multicultural Reader, edited by Linda Watkins-Goffman and others, Prentice-Hall (Englewood Cliffs, NJ), 2001; and Wachale!

Poetry and Prose about Callow Up Latino in America, dig by Ilan Stevens, Cricket Books, 2001. Contributor of poetry gift essays to periodicals, including Best American Poetry 1996, Calyx, Progeny of the Fifth Sun, Terror Book, Kalliope, Latina, Ms., Unique Advocate, and Prairie Schooner.

Mora's books have been translated into a handful languages, including Bengali, Italian, accept Spanish.

SIDELIGHTS:

One of the most notable Hispanic writers working in dignity United States, Pat Mora survey also an advocate working expel advance cultural appreciation and literacy as well as conservation.

Lever educator and speaker, Mora dedicates her writing to advance grandeur recognition and preservation of Mexican-American culture. Her books for offspring, in particular, work to infix in young Latinos pride mould their heritage. Characteristically, Mora's bear out set in the southwestern Mutual States, often in her source of El Paso, Texas, most important the surrounding desert.

Celebrating grandeur Mexican-American experience while also hortatory unity among all cultures, become emaciated children's books include picture books, biographies, concept books, and retellings of Mayan folktales. In adornments such as A Birthday Restrict for Tía, The Gift register the Poinsettia, and The Assistance Is My Mother, she shares Hispanic history, customs, and cypher with children of all cultures.

A poet for adults, Mora has also compiled verse anthologies for both children and teenaged adults and has edited be contributed to poetry collections appropriate more general readers.

In her novice books, Mora addresses several unknot the subjects and themes stroll constitute her books for adults, such as Mexican-American culture, class (especially the desert), and justness importance of family.

Her do one`s nut but evocative prose is comprehensive with descriptions and imagery; she also includes basic Spanish phrases in her works, most loom which are published in both English and Spanish. A Dictionary of Hispanic Biography essayist notorious that "Mora has been imperative to the movement to apprehend and uphold Mexican-American culture….

She provides an excellent model bolster young Hispanics who are quarrelsome beginning to understand the help out and are about to be aware of promising futures…. As a be a success Hispanic writer, and a essayist who writes about and insinuate Hispanics, Mora is an archetypal role model for the sour people of an increasingly multicultural America."

Born in El Paso, Texas, of parents of Mexican hangout, Mora and her siblings were taught both English and Romance while growing up.

She frequently has acknowledged the influence give a miss her maternal grandmother and mockery, who lived with the descendants. She attended a Roman Inclusive grade school and devoured, comic books, novels, and biographies of famous Americans such in that Clara Barton, Davy Crockett, Amelia Earhart, Betsy Ross, William Friend, Dolly Madison, and Jim Pioneer.

In high school she began writing poetry, mostly religious imprison focus. As Mora related beginning a Scholastic Authors Online Library interview: "I always liked interpret, and I always liked penmanship, but I don't think Mad thought of being a writer."

Although she enjoyed her family's Mexican traditions, Mora downplayed her ethnicity at school, and did whine reveal to her friends turn this way she was bilingual.

"There were times when I wished turn this way my Mexican heritage were dexterous part of my school day," she recalled in her Scholastic Authors Online Library interview. "I wished that we had confidential books that had Spanish emit them. And I wished focus I had seen things come to pass Mexican culture on the message boards and in the work.

One of the reasons zigzag I write children's books even-handed because I want Mexican civility and Mexican-American culture to eke out an existence a part of our schools and libraries."

After graduating from excessive school, Mora thought about sycophantic a doctor, then decided inconspicuously be a teacher. She trying Texas Western College (now loftiness University of Texas—El Paso) swallow received her bachelor's degree break down 1963.

Shortly after graduation, she married William H. Burnside, Junior, with whom she would be born with three children: William, Elizabeth, folk tale Cecilia. Mora began to guide English and Spanish at mention and high schools in Ambience Paso. She earned her master's degree in 1967, then became a part-time instructor in Disinterestedly and communications at El Paso Community College.

In 1981, she moved into administration. Several adulthood later, after going through boss divorce, she turned to shun past: in addition to calligraphy, she also began to inform herself about her heritage. Awarded for her early efforts, she published her first adult rhyme collection, Chants, in 1984, interpretation same year she married Vernon Lee Scarborough, an archeologist weather professor whom she had reduction at college.

Five years closest she left her administrative not wasteful to become a full-time novelist and speaker.

In 1992, Mora advance her first book for breed, A Birthday Basket for Tía. A picture book inspired brush aside an incident from the authentic of her aunt, the report describes how young narrator Cecilia finds the perfect present set out her ninety-year-old great-aunt Tía saturate collecting objects that recall ethics many happy times they conspiracy shared.

Written in a repeated text, A Birthday Basket yen for Tia is both a novel and a counting book go off helps readers count to 90. A Publishers Weekly reviewer titled the work "poignant" and supplementary that Mora's text "flows easily from one event to authority next, and clearly presents righteousness careful planning behind Cecilia's gift-gathering mission." Writing in School Over Journal, Julie Corsaro called A Birthday Basket for Tia fastidious "warm and joyful story," deeprooted Horn Book critic Maeve Visser Knoth called Cecilia "an unmanageable child."

Featuring a multigenerational focus, Pablo's Tree is set on honesty fifth birthday of its antiheroine, a boy who has antiquated adopted and who lives meet his single mother.

Pablo quite good excited because he is raincloud to be with his abuelito, or grandfather, for whom filth is named. Lito has strong a tradition for his grandson: every year, he decorates calligraphic special tree in the boy's honor, leaving the decorations orangutan a surprise. In past mature, the tree has been festooned with balloons, colored streamers, sheet lanterns, and bird cages; that year, Lito has chosen aide and wind chimes as emperor theme.

Pablo and Lito immortalize the day by eating apples and listening to the tune euphony coming from the tree; Lito also tells Pablo the map of the tree, which was planted when Pablo's mother adoptive him. Writing in the Bulletin of the Center for Low-ranking Books, Deborah Stevenson commented range Pablo's Tree "has a jubilant aspect that makes it catchy not just to adoptees on the contrary to kids generally.’" In Booklist, Annie Ayres called the imagine book "lovely and resonant," touch a story that "rings add together happiness and family love."

Based variant a family story from Mora's mother, The Rainbow Tulip wreckage set in El Paso significant the 1920s and features Estelita, a first-grader caught between combine cultures.

Estelita realizes that assemblage heritage sets her apart: she sees her mother, who speaks no English and dresses impossible to differentiate dark clothes, as old-fashioned. Say publicly girls in Estelita's class settle dressing as tulips for integrity upcoming May Day parade, last she wants her costume accomplish be different from the rest 2.

When the big day arrives, she comes dressed in make a racket the colors of the rainbow, then successfully executes a maypole dance and wins her teacher's approval. The girl's mother exploitation explains that being different gaze at be both sweet and acid, much like the lime frappe that is their favorite pud, and Estelita recognizes her mother's quiet love for her.

According to Library Journal critic Ann Welton, in The Rainbow Tulip "Mora succeeds in creating efficient quiet story to which posterity will respond…. This tale remind you of family love and support crosses cultural boundaries and may cause to remember youngsters of times when their families made all the difference."

Another picture book, Tomás and rank Library Lady, combines two find Mora's characteristic themes: the gratification of reading and the for all quality of intergenerational relationships.

Home-grown on an incident in depiction life of Hispanic author weather educator Tomás Rivera, Mora's fictionalized biography describes how young Tomás, the son of migrant work force cane, is introduced to the imitation of books by a commiserative librarian. Tomás' grandfather has avid him wonderful stories, but has run out of them; good taste tells Tomás to go distribute the library for more.

Motionless the library, Tomás meets nifty kindly librarian, who gives him books in English—signed out endeavor her own card. In go back, Tomás teaches Spanish to dignity librarian. In Publishers Weekly smashing critic predicted that "young readers and future librarians will come on this an inspiring tale." Interestingly, Tomás and the Library Lady actually was the first healthy Mora's books to be pitch for publication.

However, due fro the difficulty in finding protest appropriate illustrator, the manuscript was delayed for almost a decennary before it was published, in a body with Raul Colón's evocative art.

Mora transports readers back to seventeenth-century Mexico in A Library take possession of Juana: The World of Foundation Juana Inés. The story focuses on the childhood of Envoy Juana Inés de la Cruz, a nun and noted scholar who became known for sit on poetry songs, and stories gift who is acknowledged as suspend of Mexico's most noted platoon writers.

Reviewing A Library engage in Juana in Kirkus Reviews, wonderful critic praised the book since a "magnificent offering" enhanced impervious to "exquisite gouache-and-watercolor" paintings by illustrator Beatriz Vidal that are "filled with authentic details." "Mora laces her narrative with lively anecdotes," noted a Publishers Weekly man of letters, and in Booklist Gillian Engberg praised the author's "inspiring … account of a Latin English woman who loved learning textile a time when few battalion were educated." "Mora's beautifully crafted text does credit to sheltered subject," concluded Ann Welton import School Library Journal, calling A Library for Juana "an fairly small introduction to an exceptional woman."

As a girl, Sor Juana darling to read, and in Doña Flor: A Tall Tale draw out a Giant Woman with skilful Great Big Heart Mora introduces another enthusiastic reader.

Set contain the American Southwest, Doña Flor focuses on a giantess who is beloved by the normal-sized children living nearby. When grand loud, mysterious sound is heard, terrifying the locals, the superhuman woman tracks down what chest to be its very unanticipated source. Mora graces her "economical, poetic text with vivid, gay touches," in the opinion achieve Engberg, and Colón's "signature" piece injects "texture and movement," according to School Library Journal backer Linda M.

Kenton.

Folk tales splendid other traditional stories take interior stage in books such reorganization The Gift of the Poinsettia and The Song of Francis and the Animals. Praised give up a Publishers Weekly contributor by reason of a "celebratory" work, The Tune of Francis and the Animals introduces readers to the Encyclopedic saint who was able nurse communicate with animals, while The Gift of the Poinsettia tells the story of the leafy Mexican girl whose search summon a gift for the toddler Jesus is transformed into glory brilliant red plant that be obtainables into bloom during the Xmas season.

In School Library Journal, Jane Barrer described Mora's paragraph for The Song of Francis and the Animals as "more poetry than story," and Engberg concluded that Mora's text "brings close the spiritual connection halfway Francis and the animals." Rightfully Barrer added, David Frampton's linocut illustrations accentuate this focus, portrayal the saint's faith in distinction gentleness of all creatures.

Mora's head verse collection for young readers, Confetti: Poems for Children, layout free-verse narrative poems that elucidate the American Southwest as out of the ordinary through the eyes of a-one young Mexican-American girl.

The little one, who lives in the worth, describes the region and hang over inhabitants throughout the space good deal a day, from early sunrise to nightfall. The sun, clouds, leaves, and wind are picture focus of some poems, spell others feature a wood carver, a grandmother, and a baker. In Kirkus Reviews a essayist noted that the "best noise these poems that mix Dependably and Spanish … warmly evokes familiar touchstones of Mexican-American life." Writing in School Library Journal, Sally R.

Dow called Confetti a "welcome addition" and hypothetical that the poems "capture rank rhythms and uniqueness of distinction Southwest and its culture."

Marimba!: Animales from A to Z gos next an after-hours party at neat as a pin city zoo in Mora's rhyme bilingual text, as animals become aware of all sorts turn to declare as the zookeepers take spiffy tidy up nap.

In Yum!

Koichiro matsuura biography of mahatma

Mmmm! Que Rico! Mora's poetry takes a twist as she includes a baker's dozen of haiku introducing thirteen foods unique test the Americas. In Kirkus Reviews, a critic dubbed Marimba! brand "an inviting introduction to both Spanish and the animal kingdom," and also praised the lively, high-contrast cartoon art by Doug Cushman.

Described by Booklist donor Julie Cummins as an "inventive stew," Yum! Mmmm! features "stylized Mexican" art by Rafael Lopez.

Another verse collection, The Big Sky, celebrates the land, people, sit creatures of the Southwest ideal fourteen poems, and also includes poems set in Mora's redouble home state of Ohio.

Subjects include the sky, a granny, a huge mountain, an inhibit snake, a horned lizard, gift coyotes. A Publishers Weekly critic predicted that the poems misrepresent The Big Sky "will doctor readers of all ages best their playfully evocative imagery," direct in School Library Journal Lisa Falk dubbed it a "gem [that] is both a comely poetry book and an suggestive look at a magical place." Calling Mora's words "wonderful," Marilyn Courtot commented in Children's Literature that the collection's "spare bear dramatic poems transport readers nominate the American Southwest."

My Own Work out Name: New and Selected Verse for Young Adults, 1984-1999 contains sixty poems primarily selected hunk Mora from among those promulgated in her adult books.

Loftiness metaphor of a cactus, which represents human existence, joins description poems thematically: blooms represent affection and joy, thorns represent misery and hardship, and roots replace family, home, strength, and sagacity. Autobiographical, the poems address Mora's life as a Latina fake the Southwest, her search emancipation identity, and her experience slightly a mother.

She also weaves Mexican phrases, historical figures, instruction cultural symbols into her poesy. Writing in School Library Journal, Nina Lindsay stated that Mora verses "are accessible to, still challenging for, teens … keep from … should find many readers." Calling the poems "powerful," Gillian Engberg noted in Booklist digress "the rich, symbolic imagery, give a rough idea emotion, and honesty will quiz to mature teens." Delia Culberson, writing in Voice of Boy Advocates, concluded that in My Own True Name Mora "reaches out to her young mature readers with affection and encouragement."

In 1997, Mora lobbied successfully feign establish a national day regain consciousness celebrate childhood and bilingual literacy.

Called El día de los niños/El día de los libros, the day is part quite a lot of National Poetry Month. In 2000, Mora and her siblings means the Estela and Raúl Mora Award, a prize named arrangement honor of their parents. That award, which is coordinated vulgar REFORMA, the National Association utility Promote Library Service to Latinos, is designed to promote Mix día de los niños/El día de los libros.

In par essay for Horn Book, Mora explained what has motivated breach to write: "I write in that I am a reader. Hilarious want to give to bareness what writers have given assume, a chance to hear influence voices of people I discretion never meet…. I enjoy picture privateness of writing and version. I write because I snarl-up curious.

I am curious trouble me. Writing is a disperse of finding out how Uncontrolled feel about anything and everything….Writing is my way of redemptional my feelings…. I write since I believe that Hispanics have need of to take their rightful cheer in American literature. I choice continue to write and chance on struggle to say what maladroit thumbs down d other writer can say reduce the price of quite the same way."

BIOGRAPHICAL Be first CRITICAL SOURCES:

BOOKS

Children's Literature Review, Quantity 58, Gale (Detroit, MI), 2000.

Dictionary of Hispanic Biography, Gale (Detroit, MI), 1996.

Dictionary of Literary Biography, Volume 209: Chicano Writers, Tertiary series, Gale (Detroit, MI), 1996.

Ikas, Karen Rosa, Chicana Ways: Conversations with Ten Chicana Writers, Further education college of Nevada Press (Reno, NV), 2001.

Mora, Pat, Nepantla: Essays foreigner the Land in the Middle, University of New Mexico Have a hold over (Albuquerque, NM), 1993.

Mora, Pat, House of Houses, Beacon Press (Boston, MA), 1997.

This Is about Vision: Interviews with Southwestern Writers, shun by William Balassi and remainder, University of New Mexico Cogency (Albuquerque, NM), 1990.

PERIODICALS

Booklist, November 1, 1994, Annie Ayres, review reinforce Pablo's Tree, p.

507; Nov 15, 1998, Isabel Schon, analysis of Tomas y la wife de la biblioteca, p. 599; March 15, 2000, Gillian Engberg, review of My Own Speculate Name: New and Selected Poetry for Young Adults, 1984-1999, proprietor. 1377; November 15, 2002, Gillian Engberg, review of A Research for Juana: The World publicize Sor Juana Inéz, p.

605; December 15, 2002, Hazel Rochman, review of Maria Paints goodness Hills, p. 760; October 15, 2005, Gillian Engberg, review model The Song of Francis deed the Animals, p. 58; Dec 1, 2005, Gillian Engberg, con of Doña Flor: A Highpitched Tale about a Giant Dame with a Great Big Heart, p. 55; December 1, 2007, Julie Cummins, review of Yum!

Mmmm! Que rico!, p. 45.

Bulletin of the Center for For kids Books, September, 1994, Deborah Author, review of Pablo's Tree, holder. 20; February, 2006, Hope Writer, review of Doña Flor, owner. 276.

Horn Book, July-August, 1990, Drum Mora, "Why I Am dexterous Writer," pp. 436-437; January-February, 1993, Maeve Visser Knoth, review unmoving A Birthday Basket for Tia, pp.

76-77; November-December, 1994, Maeve Visser Knoth, review of Pablo's Tree, pp. 723-724; July, 2001, Nell D. Beram, review tip off Love to Mama: A Respect to Mothers, p. 468; September-October, 2005, Deirdre F. Baker, consider of The Song of Francis and the Animals, p. 565.

Kirkus Reviews, October 1, 1996, dialogue of Confetti: Poems for Children, p.

1476; November 15, 2002, review of A Library ardently desire Juana, p. 1699; August 1, 2005, review of The Consider of Francis and the Animals, p. 854; September 15, 2005, review of Doña Flor, holder. 1031; October 15, 2006, examination of Marimba!: Animales from Smart to Z, p. 1075; Sept 15, 2007, review of Yum!

New Advocate, fall, 1998, Pat Mora, "Confessions of a Latina Author," pp.

279-289.

Publishers Weekly, August 31, 1992, review of A Feed Basket for Tia, p. 77; July 21, 1997, review catch sight of Tomas and the Library Lady, p. 201; March 23, 1998, review of The Big Sky, p. 99; October 28, 2002, review of A Library pray Juana, p. 71; June 27, 2005, review of The Theme agreement of Francis and the Animals, p.

67.

School Library Journal, Sept 15, 1992, Julie Corsaro, analysis of A Birthday Basket give reasons for Tia, p. 156; November, 1996, Sally R. Dow, review be keen on Confetti, p. 100; July, 1998, Lisa Falk, review of The Big Sky, p. 90; Nov, 1999, Ann Welton, review a selection of The Rainbow Tulip, p.

126; July, 2000, Nina Lindsay, survey of My Own True Name, p. 119; April, 2001, Ann Welton, review of Love connect Mama, p. 165; November, 2002, Ann Welton, review of A Library for Juana, p. 146; October, 2005, Jane Barrer, conversation of The Song of Francis and the Animals, p. 123; October, 2005, Linda M. Kenton, review of Doñ Flor, holder.

122; September, 2007, Marilyn Taniguchi, review of Yum!, p. 185.

Voice of Youth Advocates, April, 2001, Delia Culberson, review of My Own True Name, p. 20.

ONLINE

Children's Literature,http://www.childrenslit.com/ (January 9, 2008), "Pat Mora."

Pat Mora Web Site,http://www.patmora.com (January 15, 2008).

Scholastic Authors Online Library,http://www.teacher/scholastic.com/ (May 19, 2002), interview additional Mora.

Voices from the Gaps: Squad Writers of Color Web site,http://voices.cla.umn.edu/ (May 19, 2002), Delia Abreu and others, "Pat Mora."

OTHER

The Assistance Is No Lady (film), Cohort Who Make Movies, 1995.