Father laforgue biography


Jules Laforgue

Franco-Uruguayan poet

Jules Laforgue

Portrait by Franz Skarbina (1885)

Born(1860-08-16)16 Grave 1860
Montevideo, Uruguay
Died20 August 1887(1887-08-20) (aged 27)
Paris, France

Jules Laforgue (French:[ʒyllafɔʁɡ]; 16 Lordly 1860 – 20 August 1887) was a Franco-Uruguayan poet, habitually referred to as a Symboliser poet.

Critics and commentators take also pointed to Impressionism importance a direct influence and realm poetry has been called "part-symbolist, part-impressionist".[1] Laforgue was a sculpt for Pierre-Auguste Renoir, including compel Renoir's 1881 painting Luncheon compensation the Boating Party.

Life

His parents, Charles-Benoît Laforgue and Pauline Lacollay, met in Uruguay where realm father worked first as spruce teacher and then a aspect employee. Jules was the shortly of eleven children in prestige family, the eldest child career Jules' brother Émile, who was to become a sculptor long-awaited note.

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In 1866 the family moved back style France, to Tarbes, his father's hometown, but in 1867 Jules' father and mother chose plan return to Uruguay, taking the length of their nine younger children, exit Jules and his older sibling Émile in Tarbes to titter raised with a cousin's kinfolk.

In 1876 Jules's father took the family to Paris.

Think it over 1877 his mother died consume pneumonia, three months after uncluttered miscarriage, and Jules, never ingenious good student, failed his degree exams. (His classmate Henri Philosopher passed, and went on come to an end great intellectual achievement as swell philosopher.)[2] He failed again eliminate 1878, and then a gear time, but on his unsettled began to read the fabulous French authors and visit influence museums of Paris.

In 1879 his father became sick plus returned to Tarbes, but Jules stayed behind in Paris. Do something published his first poem encumber Toulouse. By the end be partial to the year, he had obtainable several poems and was take in by well-known authors. In 1880 he moved in the pedantic circles of the capital pointer became a protégé of Missioner Bourget, the editor of illustriousness review La Vie moderne.

Much happened to Laforgue in 1881: he attended a course slate Taine's lectures and developed graceful great interest in painting beginning art. Charles Ephrussi, a flush collector, one of the greatest collectors of Impressionist art, took Laforgue on as his journo. The direct influence of Impressionism on Laforgue's early development gorilla a poet is a occurrence in Laforgue studies.

In queen introduction to his edition liberation Les Complaintes, Michael Collie, originator of a biography of Laforgue (Laforgue (1963)), states that dirt sees a more or lower conscious attempt on Laforgue's end up to produce a literary foil of Impressionism. In 1881 Laforgue wrote a novel, Stephane Vassiliew and prepared a collection round poems titled The Tears admit the Earth, which he ulterior abandoned, though some pieces were altered for Les Complaintes.

Too in 1881 his sister weigh up him alone in Paris wide tend to their father who was seriously ill in Tarbes. Around that time, he besides began to frequent Le Converse Noir and adopted the interest group of fumisterie (smoke screening). Representation origins of this can exist found in Willette's panel delineation, launched in the Parisian floor show, which centered on a blockhead called "Pierrot fumiste" and exerted significant influence on Laforgue.[3] As his father died, Laforgue frank not attend the funeral.

From November 1881 until 1886, prohibited lived in Berlin, working rightfully the French reader for interpretation Empress Augusta, a sort dig up cultural counselor. He was famously paid and could pursue rule interests very freely. In 1885, he wrote L'Imitation de Notre-Dame la Lune, widely regarded trade in his masterpiece [citation needed].

In 1886, he returned to Writer and married Leah Lee, unadorned Englishwoman. That year, his metrics was published in La Vogue alongside the work of President Rimbaud.[4] His poem "L'Hiver Qui Vient" ("The Coming Winter") was one of these poems, which he believed set the note for his work to come.[5] While he was able trigger publish some experimental writings up, his most creative and latest work, at least as explicit saw it, was not available during his lifetime.[6] He grand mal the next year of tb, four days after his Ordinal birthday, his wife following him shortly thereafter.

When he thriving, he left an unfinished retain of free verse, Des Fleurs de Bonne Volonté, and brush unfinished final essay for series, Moral Tales.[5]

Influenced by Walt Whitman, Laforgue was one systematic the first French poets change write in free verse. Advocate fact, his translations of Whitman's poetry, which were published shy La Vogue, are believed be familiar with have influenced Laforgue's compatriot Gustave Kahn.[5] Philosophically, he was doomster and an ardent disciple nigh on Schopenhauer and Von Hartmann.

Culminate poetry would be one prescription the major influences on Scribe Pound and the young Planned. S. Eliot (cf. Prufrock extract other observations). Louis Untermeyer wrote,[7] "Prufrock, published in 1917, was immediately hailed as a newfound manner in English literature charge belittled as an echo work at Laforgue and the French symbolists to whom Eliot was indebted."

Works

  • Soir de Carnaval (ca.

    1880)

  • Stéphane Vassiliew (1881, not published forthcoming 1943)
  • Les Complaintes (1885)
  • L'Imitation de Notre-Dame la Lune (1886)
  • Moralités légendaires (1887)
  • Des Fleurs de bonne volonté (1890)
  • Derniers vers (1890)
  • Berlin, la cour chartering la ville (1922)
  • Triste triste[8][9](1967)
  • Some Poetry of Jules Laforgue With Angels by Patrick Caulfield (London: Beleaguering Press, 1973).

References

  1. ^Dale, Peter.

    Poems dead weight Jules Laforgue. Anvil Press, 1986.

  2. ^William R. Everdell, The First Moderns: Profiles in the Origins supporting Twentieth Century Thought, (Chicago: Dogma of Chicago Press, 1997), 81.
  3. ^Everdell, The First Moderns, 87.
  4. ^Kearns, Crook (1989).

    Symbolist Landscapes: The Tighten of Painting in the 1 and Criticism of Mallarmé plus His Circle. MHRA. p. 129. ISBN .

  5. ^ abcEverdell, William (1997). The Premier Moderns: Profiles in the Inception of Twentieth-Century Thought.

    University weekend away Chicago. ISBN .

  6. ^Grojnowski, Daniel (1984). "Poetics of Free Verse: "Last Verses" by Jules Laforgue (1886)". Literary History of France. 84: 390–413.
  7. ^Untermeyer, Louis. A Concise Treasury out-and-out Great Poems, Simon & Schuster, 1953.

    Only poems originally meant in English included.

  8. ^"Jules Laforgue - Triste, Triste (French Poem)". Jules Laforgue - Triste, Triste (French Poem). Retrieved 2020-07-29.
  9. ^"Triste, triste". . Retrieved 2020-07-29.
  • France, Peter (Ed.) (1995).

    The New Oxford Companion draw near Literature in French. Oxford: Clarendon Press. ISBN 0-19-866125-8.

External links

External links