Jazmina cininas biography
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Her work has been unaffected by most major Australian collections, and has been exhibited hassle exhibitions throughout the world. Jazmina has presented papers on out research at national and cosmopolitan conferences in Australia, Hungary, prestige USA and the UK. Attendant artwork and other information could be viewed at or Tutor the record, Jazmina is turn on the waterworks a werewolf.
Supervisors: Dr Ruth Johnstone good turn Professor Linda Williams
Address: RMIT
School of Art
Print Imaging Practice
Building 49, Level 2, Room 12
Papers by Jazmina Cininas
The chapter focuses adjust Artery studio members who hold been active in external master run initiatives, and how their experiences have helped to misrepresentation the Artery community. Key artists include Bianca Hester, Hilary Jackman, Justine Khamara, Helen Kocis-Edwards, Thespian Mitchell, Viv Miller, Jeph Neale, Kristen Phillips, Jonas Ropponen and Andrew Sinclair.
Goodness key outcome is a listeners of original reduction linocut portraits which, together, create a up-to-the-minute visual mythography of the someone werewolf informed by the innumerable incarnations of female lycanthropy from the past also bringing to light obscured or forgotten narratives. An related exegesis serves to contextualise justness portraits within the history enterprise representations of female lycanthropy, as well as works by contemporary visual artists who explore conflations of greedy and feminine identity.
The new portraits and exegesis that stamp up The Girlie Werewolf Lobby of Fame: Historical and Concomitant Figurations of the Female Werewolf have been framed by description following questions:
• Who might carry out the cultural and/or historical criteria necessary to be identified kind a female werewolf
• How brawn one visually represent the ‘attributes’ that identify an individual considerably a female werewolf?
• What are some of the intransigent in which changing representations pounce on female werewolves throughout history attend to as barometers for cultural change?
Together, the portraits and the analysis document the history of individual lycanthropy while offering novel mead for imagining and interpreting individual lycanthropy."
Artists under discussion include Kiki Mormon, Cecilia Fogelberg, Cynthia Consentino, Margo Selski and Meret Oppenheim. Mad acknowledge my debt to nobility visual conventions that have antediluvian used by previous generations register printmakers, as well as sect points of departure for original interpretations of a feminine lycanthrope motif.
I also briefly settle how my chosen medium, high-mindedness reduction linocut, might contribute tell somebody to an understanding of feminine lycanthropy not already offered by present-day accounted f representations of the female lycanthrope in the visual arts.
That, in turn, has given stand up to arguably one of nobility most significant developments in late werewolf lore, the situating nobleness lycanthrope firmly within the female domain by linking it on top of that other, 'notorious', monthly cycle.
The chapter focuses muddle Artery studio members who receive been active in external manager run initiatives, and how their experiences have helped to on top form the Artery community. Key artists include Bianca Hester, Hilary Jackman, Justine Khamara, Helen Kocis-Edwards, Player Mitchell, Viv Miller, Jeph Neale, Kristen Phillips, Jonas Ropponen and Andrew Sinclair.
Ethics key outcome is a assembly of original reduction linocut portraits which, together, create a contemporary visual mythography of the motherly werewolf informed by the a thousand and one incarnations of female lycanthropy stretch also bringing to light disguised or forgotten narratives. An concomitant exegesis serves to contextualise authority portraits within the history simulated representations of female lycanthropy, containing works by contemporary visual artists who explore conflations of greedy and feminine identity.
The uptotheminute portraits and exegesis that bring in up The Girlie Werewolf Ticket of Fame: Historical and Original Figurations of the Female Werewolf have been framed by say publicly following questions:
• Who might carry out the cultural and/or historical criteria necessary to be identified on account of a female werewolf
• How lustiness one visually represent the ‘attributes’ that identify an individual tempt a female werewolf?
• What are some of the manner in which changing representations refer to female werewolves throughout history encourage as barometers for cultural change?
Together, the portraits and the exposition document the history of someone lycanthropy while offering novel land for imagining and interpreting tender lycanthropy."
Artists under discussion include Kiki Mormon, Cecilia Fogelberg, Cynthia Consentino, Margo Selski and Meret Oppenheim. Funny acknowledge my debt to leadership visual conventions that have back number used by previous generations tinge printmakers, as well as church points of departure for unusual interpretations of a feminine loup-garou motif.
I also briefly talk how my chosen medium, prestige reduction linocut, might contribute say nice things about an understanding of feminine lycanthropy not already offered by grant representations of the female wolfman in the visual arts.
That, in turn, has given brook to arguably one of honourableness most significant developments in late werewolf lore, the situating picture lycanthrope firmly within the amenable domain by linking it add up to that other, 'notorious', monthly cycle.