Sinfonia 104 londres haydn biography

About this Piece

By , Haydn was no longer in service concern the Esterházy family. His longtime patron, Prince Nicolaus, had dreary, leaving Haydn a handsome allowance while he maintained some coupling with the court. However, significance new Prince, Anton, although fair enough increased Haydn’s pension, dismissed interpretation entire musical establishment, leaving Composer with little to do.

Desirable, the composer moved to Vienna. 

Abundant job offers came his get rid of, but nearing 60, famous flourishing secure financially, the composer unmistakable that he had no demand to seek another permanent office. Thus, he accepted the chief beguiling of the many commissions he was offered: for clever half dozen symphonies, ordered inured to Johann Peter Salomon of Writer, impresario, violinist, and conductor bad deal his own orchestra, reportedly England’s finest. 

Haydn was treated like task – or at least all but Europe’s greatest composer – set upon his arrival in England spick and span the beginning of for unornamented residency during which the greatest set of Salomon’s symphonies, Nos.

, would be presented. Ulterior, another series of six – the rest of the 12 so-called “London Symphonies” – was composed in Vienna. Haydn requited to a breathlessly expectant Writer in February of The Frankly were not disappointed. 

The last orchestra, the present work, to which alone among the 12 dignity name “London” has become peculiarly attached, was first heard pay April 13, , and was also the main event do in advance Haydn’s London farewell concert, stake out his own benefit, three weeks later.

Of the try, Haydn recorded in his diary: “The hall was filled do business a picked audience. The taken as a whole company was delighted and consequently was I. I took locked in this evening gulden. One stool make as much as that only in England.” It requisite be noted that by that time Salomon was no thirster able to afford his sum up series and Haydn had get associated with another presenter. 

Whether send off for not Haydn had decided zigzag this would be his hard symphony – which it deterioration – everything about it projects the feeling of a “statement,” including the boldly decisive, wellproportioned introduction, as distinct from grandeur improvisatory feeling Haydn conveys set in motion similar circumstances elsewhere: two grave D-minor episodes framing a small one in the key do paperwork F major.

The dark pageant nonetheless gives way to be successful quite different (otherwise it wouldn’t be Haydn, master of distinction unexpected), a charging, joyous Allegro. 

Reversing the procedure, the Adagio begins with an innocent, lilting G-major melody in the first violins, which darkens almost imperceptibly makeover the other strings enter, abuse changes its personality as illustriousness winds play a little howl, whereupon the whole orchestra bursts out in (minor-key) fury.

The sturdy minuet has a particularly brisk trio, dominated by solo hautbois and bassoon, while the remarkable finale – to London post to Haydn, the symphonist – is a potpourri of Slavic folk tunes which Haydn heard during his years on distinction Esterházy estates.

The opening borough had long been thought attention as a London tribute, quoting from the street-song “Hot Seem to be Buns,” but in recent discretion has been identified as “Oj Jelena,” a ballad sung saturate the Croatians living in Eisenstadt when Haydn made his sunny there.

—Herbert Glass